Robert Suermondt departs from an existing image: a print on a cardboard, remains of a tape, traces of color on a piece of paper, a spontaneous impression on a packaging of a previous work, an article in a newspaper often with a political undertone… The original image is carefully analyzed, decomposed and then reassembled. Robert’s artistic approach makes us reflect on the ambiguous and paradoxical qualities of our own ‘gaze’ regarding existing situations or images.